The Bather

By Joanne Merriam

White canvas. Layers of brief washes,

spare brushwork. Sun's rays

spotlight a girl, soft petal hands lying

in her lap, feet in a stream.

Enter the frame to join her.

Watch her lattice her fingers in her lap. Dream.

Some expressive beauty

(not like a well-turned beam

is beautiful, nor like you are beautiful,

but beautiful as the daze

of nature's chlorophyll dynamos)

hovers about the cliches

of her indistinctly rendered mouth,

cleft of thighs, pubic maze.

The artist gave her ampersands, ellipses,

subtle women's winning ways.

Sitting quietly's unbearable; you insist

on conversation. The gallery teems

with tourists in anoraks.

They leave aluminum wrappers at her feet.

Their eyes appraise,

smooth as half-drunk cream.

Her hands flutter over her body, playing

a guessing game with their gaze.


Joanne Merriam is the author of The Glaze from Breaking (Stride, 2005). Her work has appeared recently in Big Toe Review, andwerve and The Magazine of Speculative Poetry, and previously in Strange Horizons. This poem is very loosely based on Renoir's painting of the same name.