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Strange Horizons Gallery Presents...

The Art and Illustration of Cynthia Rudzis

I honestly can't remember which fascination came first . . . the one for fantastic literature or the one for creating images inspired by the stories I read. In any case, it was the beginning of a lifelong pursuit of creating art that attempted to capture a sliver of worlds unseen, spirit guides, magical beings and monsters from pages of countless books. Nature, magic, and the mystical are the driving forces behind my art. Wonderfully written stories always provide fuel for the fire.

In growing and developing as an artist, I've been fortunate enough to work with publishers who appreciate my almost "chameleon-like" styles. I adore vastly different works of art and their methods of execution and strive to keep my own works from becoming homogenous. I strive to achieve an ever-changing body of work by switching between mediums (although my favorites are acrylic paint, graphite and the always wonderful and unpredictable digital!) and methods of execution. My main focus is to depict the beauty of the otherworldly in many forms.

After receiving my BFA from Roger Williams University, I began working as an illustrator and art director for various publishers in the Baltimore/Annapolis area. As of April, I began pursuing a career as a freelance illustrator, designer and fine artist. Again, fortune has smiled as I'm enjoying a trickle of work from a large audiobook publisher and preparing to show a series of paintings titled "The Elemental Ceilidh". I've even painted a pet or two. . . .

Now . . . if I could only learn to publish a decent Web site . . . that would be magic!


Visit Cynthia's Web site to see more of her artwork.

Le Voudon ©Cynthia Rudzis 2002

Tour Cynthia's work, piece by piece. View thumbnails of Cynthia's work.

If you are interested in submitting art for the gallery, please read our submission guidelines and then contact us at art@strangehorizons.com.


 

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Bio to come.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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