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Paula Arwen Friedlander is a native of Brooklyn, NY, now living upstate. She is a graduate of Parsons School of Design, with years of experience in Freelance Illustration, Graphic and Textile Design.

Her unique illustration style is created with hand cut paper silhouettes, collage, ink, and digital art. Silhouette art has a long history in many cultures. From silhouette portraits popular in the 1700's to traditional cut paper art in China and Poland, it is a beautiful art form using the contrast of dark and light, shadows and illumination.

Paula is fascinated with the opposition of darkness and light. She is inspired by her surroundings, from the urban world of Brooklyn to the natural beauty of the Catskills. Her imagination is fed by dreams and tales of myth and legend. The subjects of her work range from serene fantasy to morbid horror.

As well as being an illustrator, she applies her talents to many other things. She creates Custom OOAK Fashion Dolls and My Little Ponies, transforming outcast and forgotten dolls into new life forms. Re-painted, re-haired and costumed, each doll is one of a kind. She is also a novice writer of poetry and short fiction.

Some of the artists and illustrators she admires include Aubrey Beardsley, MC Escher, Albrecht Durer, Frank Frazetta, Brom, Luis Royo, Lotte Reiniger, Susan Sedon Boulet, Paul Goble, David Wisniewski, and Leo and Diane Dillon.

See more of her work at www.arwendesigns.net. E-mail her at arwen@arwendesigns.net.

Tour Paula's work, piece by piece.

View thumbnails of Paula's work.





Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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