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Lyda Morehouse writes about what gets people in trouble: religion and politics. Her first novel, Archangel Protocol, a cyberpunk hard-boiled detective novel with a romantic twist, won the 2001 Shamus. Fallen Host made the preliminary Nebula ballot. Her most recent work is Apocalypse Array. Lyda lives in Saint Paul with her partner of nineteen years, son Mason, and four cats. You can read other pieces by Lyda in our archive.


Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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