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Happy weekend one and all. I hope you are all enjoying yourselves. In addition to your scheduled Strange Horizons viewing this week we have several big changes to announce in the poetry department.

With great regret we say goodbye to MJ Cunniff who has served on the poetry team for two years. We have all hugely enjoyed the poems MJ has selected for the magazine and are sad to see them go.

This obviously left us with a bit of a gap in the department, but we were thrilled to welcome back an old face - Romie Stott, who many of you may remember from days of yore. We know how great Romie's editorial instincts are and look forward to seeing what exciting poems we get to publish with her onboard. Welcome Romie!

Last but not least, we are very pleased to announce that as of the next reading period (starting on March 1st) all poetry submissions will be handled using our Moksha submissions portal. This should make the way we publish poetry quicker, easier and more efficient, which can only be a good thing.

That was the poetry department update; we now return to our scheduled broadcasting.



Jane Crowley is deeply enthusiastic about tea, being in and around water, and things with wings (mechanical or avian). By day she is a marketer for a UK university. By night she writes poetry and other miscellaneous fragments that occasionally find a home and get published. You can find her on Twitter at @j_e_crowley.
Current Issue
25 Mar 2024

Looking back, I see that my initial hope for this episode was that the mud would have a heartbeat and a heart that has teeth and crippling anxiety. Some of that hope has become a reality, but at what cost?
to work under the / moon is to build a formidable tomorrow
Significantly, neither the humans nor the tigers are shown to possess an original or authoritative version of the narrative, and it is only in such collaborative and dialogic encounters that human-animal relations and entanglements can be dis-entangled.
By: Sammy Lê
Art by: Kim Hu
the train ascends a bridge over endless rows of houses made of beams from decommissioned factories, stripped hulls, salvaged engines—
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