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An exciting addition to the Strange Horizons lineup this week: Vandana Singh joins our roster of columnists. I'm a great admirer of Vandana's fiction -- including stories published here -- and I'm delighted she'l be writing for us on environmental and scientific topics. A flavour of her first column:

The dream is to rewild the world: to restore barren and impoverished forests, wetlands and other ecosystems through preserving core natural habitats, providing connectivity between core regions by reopening migration corridors, and reintroducing keystone species on whose presence the ecosystem's health depends. The dream is not about going "back to Nature," but about redefining and mending our relationship with her. And it is being dreamed by people around the world, from conservation biologists to impoverished communities threatened by the failure of their ecosystems. This dream, despite its fantastical qualities, is no pipe dream, but is informed by the most practical considerations you can imagine. As a group of young teens from Delhi learned so many decades ago, you cannot begin to achieve something of this scale "from the top." What it needs is a grassroots level involvement of the local people, whose rights and dignity cannot be trampled over in the name of "conservation." Sometimes they initiate change—on other occasions they need economic incentives to begin to be the stewards of their wildlands.

I pull this particular quote out because I'm wondering: how has our genre done at dreaming this dream? Or more precisely: what's the lineage? I could, off the top of my head, make a stab at constructing a history of hard sf, of feminist sf, of alternate history, of Marxist sf; ecological and environmental sf is surely no less important, but the best I could do would be a list of disconnected texts, I don't have a baseline narrative to fit them into.

What, for instance, was the first science fiction novel to tackle man-made, inadvertent, global-scale climate change and its consequences?



Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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