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A little late this month, for which apologies; last week rather got away from me. But here's the third instalment of our new regular round-up of what SH contributors have been getting up to elsewhere. As ever, if you're a past contributor with December news, let me know. For now:

Let's start with some essays. Carmen Machado considers Michael Chabon's latest, Telegraph Avenue, for the LA Review of Books; Hunter Liguore writes on "The novella as an art form" in The Writer's Chronicle; and Nic Clarke writes about China Mountain Zhang and A Sweet Sweet Summer at Eve's Alexandria. At The Awl, Sara Polsky writes about her terrible Dan Brown ripoff novel. John Zaharick looks at Science Fiction and the Human Condition at Cobalt Review, Adam Roberts considers The Atheist Paradox at Aeon, and Jonathan McCalmont is Annoyed with the History of Science Fiction at Ruthless Culture; and L. Timmel Duchamp, following up on Jonathan's essay, writes about Science Fiction Aesthetics and Sensibility at the Aqueduct blog. And Elizabeth Barrett has been writing about serial poetry.

Ann K. Schwader and David Kopaska-Merkel are among the contributors to Cthulhu Haiku and Other Mythos Madness (whose title is this month perhaps only rivalled by the anthology Zombie Jesus and Other Stories, which includes James S. Dorr's "Avoid Seeing a Mouse", and by Lavie Tidhar's new graphic novel, Adolf Hitler's 'I Dream of Ants!').

Elsewhere on the poetry front, everyone who's anyone is in Mythic Delirium 27, including Gwynne Garfinkle, Theodora Goss, Rose Lemberg, Shira Lipkin, Ken Liu, Alex Dally MacFarlane, Sofia Rhei (translated by Lawrence Schimel), Alexandra Seidel, and Sonya Taaffe. And the P'rea Press anthology Avatars of Wizardry includes Bruce Boston's long poem, "Thirteen Ways of Looking at and Through Hashish."

The audiobook of William Alexander's newly National Book Award-winning (!) Goblin Secrets is now available at Audible. Cecil Castellucci has a ghost story in the DC/Vertigo comics anthology, Ghosts. Orin Grey's first collection of short stories, Never Bet the Devil and Other Warnings is just out from Evileye Books. And Jason Erik Lundberg's anthology, Fish Eats Lion: New Singaporean Speculative Fiction, is also out.

New stories: A new Lonely Planet anthology of original travel stories, Better Than Fiction, includes work by Peter Matthiessen, Alexander McCall Smith, Joyce Carol Oates, Téa Obreht and SH contributor Aliya Whiteley. Issue 4 of The Journal of Unlikely Entomology, co-edited by SH contributor AC Wise, includes stories by Joanne Merriam ("The Candy Aisle"), M. Bennardo ("The Famous Fabre Fly Caper)" and Sunny Moraine ("Invasives"). Naomi Kritzer's "High Stakes" -- a follow up to her earlier story "Liberty's Daughter" -- is in the November/December F&SF. Renee Carter Hall's "Nevermore" can be found at Daily Science Fiction. Aidan Doyle's "Reading by Numbers has been reprinted in Cosmos magazine. Margaret L. Carter's "Dusting Pixie" is in the new Sorcerous Signals. And Karen Munro's "The Remedy of Dr M___" is in The Again.

On the staff news front, Romie Stott's story "A Robot Walks Into a Bar and Says..." won Arc magazine's third story competition and will appear in Arc 1.4. And the latest Outer Alliance podcast, hosted by Julia Rios, is an interview with Michael M. Jones, the editor of Scheherazade’s Facade.



Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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