Size / / /

Introduction

It's back, by popular demand. Last year, following VIDA's analysis of the gender balance at mainstream book review venues, we put together a similar count for (some) sf venues. VIDA repeated their count last month, so here we are again. Thanks to Liz Batty, Liz Bourke, Martin Lewis, Juliet McKenna and Abigail Nussbaum for help preparing this year's analysis. The raw data can be found in this Google spreadsheet.

Notes on methodology: we counted the number of reviews of prose books (novels, short stories, and non-fiction) authored or edited by women and by men, with appropriate fractions in cases with multiple authors or editors, published in each venue in 2011. We also counted the number of men and women reviewing for each venue, that is, the number of people who had at least one review published in that venue in 2011. We included reviews of non-2011 books. We did not track numbers for individual reviewers across different venues. We did not track the specific genres or subgenres reviewed. We did not track coverage in non-review formats (e.g. essays, interviews). We've used bar charts rather than pie charts for ease of comparison. In all charts, women are in blue and men are in red.

Baseline demographics

As last year, we set out to provide some context for the count by making a count of Locus books received listings, which is the best proxy I'm aware of for what gets published in the sf field. We counted the US and UK listings for March, June and September 2011. Overall, 47% of titles listed were written or edited by women, 53% by men; that's closer to parity than last year. It also obscures a large difference between the US and the UK. In the US, last year, Locus received very nearly equal numbers of books written/edited by men and women. In contrast, only 1 in 3 books received from the UK was written or edited by a woman.

To repeat the caveats from last year's survey: Locus listings include all books received, not just 2011 titles (so, for instance, a reprint of Frankenstein or new editions of every volume of A Song of Ice and Fire would be included). Multiple books by the same author are counted separately, so this doesn't tell us what the overall proportions of men and women involved in the field are. Gender assignment is based on assumptions, and may not be accurate if people don't identify as men or women, or if there are many pseudonyms in use.

The SF Count 2011

Percentages, in alphabetical order by venue. Summaries at the bottom.

Asimov's Science Fiction Magazine

Asimov's continues to have a very small, all-male reviewing staff.

The Cascadia Subduction Zone

Unsurprisingly the highest representation of women on both counts. New entry not counted last year.

The Magazine of Fantasy and Science Fiction

A substantial increase in the coverage of women since last year.

Foundation

UK-based academic journal.

Interzone

Locus

The Cushman effect described last year remains in effect; that is, excluding Carolyn Cushman's column, which covers 8-10 books per issue in short (paragraph) reviews, Locus covers 35% works by women and 65% works by men.

The New York Review of Science Fiction

The SF Site

Science Fiction Studies

Academic journal based in the US. New entry not counted last year.

SFX

Glossy UK magazine.

Strange Horizons

Tor.com

New entry not counted last year.

Vector

Journal of the British Science Fiction Association.

Summaries

Summary for books reviewed

Summary for reviewers

Changes from 2010



Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
Current Issue
25 Mar 2024

Looking back, I see that my initial hope for this episode was that the mud would have a heartbeat and a heart that has teeth and crippling anxiety. Some of that hope has become a reality, but at what cost?
to work under the / moon is to build a formidable tomorrow
Significantly, neither the humans nor the tigers are shown to possess an original or authoritative version of the narrative, and it is only in such collaborative and dialogic encounters that human-animal relations and entanglements can be dis-entangled.
By: Sammy Lê
Art by: Kim Hu
the train ascends a bridge over endless rows of houses made of beams from decommissioned factories, stripped hulls, salvaged engines—
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
Issue 5 Feb 2024
Issue 29 Jan 2024
Issue 15 Jan 2024
Issue 8 Jan 2024
Load More
%d bloggers like this: