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Brit Mandelo continues her re-read of the works of Joanna Russ with a two part examination of her 1984 collection Extra(ordinary) People:

Discussions of performativity often run the risk of sounding dismissive of the gender/sexuality paradigms that are being discussed as performances, if the discussion isn’t careful to qualify that just because they’re performed and not innate doesn’t make them any less real or valuable. “Everyday Depressions” is that clarification about the value of living, if you have the time to do it, and of self in the world at large. It’s also about stories, and the way that stories structure our ideas of identity and performance—which is, really, sort of what Extra(ordinary) People is all about as a whole. It’s a subtle book in many ways, but a profound one in all; as with complex novels like The Two of Them, talking about it can become a confusing mire of analysis and adoration without a clear way to tie things off and escape..

Out of print, of course. Fingers crossed for that Collected Stories. See also Teresa Nielsen Hayden's comment on the genesis and meaning of “What Did You Do During the Revolution, Grandma?”



Niall Harrison is an independent critic based in Newcastle upon Tyne, UK. He is a former editor of Strange Horizons, and his writing has also appeared in The New York Review of Science FictionFoundation: The International Review of Science Fiction, The Los Angeles Review of Books and others. He has been a judge for the Arthur C. Clarke Award, and a Guest of Honor at the 2023 British National Science Fiction Convention. His collection All These Worlds: Reviews and Essays is available from Briardene Books.
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22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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