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Direct link: August Poetry (mp3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the August issues.

  • “Kanchenjunga" by Ajapa Sharma, read by Julia Rios. You can read the full text of the poem and more about Ajapa here.
  • “Using Only These" by Merav Hoffman, read by Merav Hoffman. You can read the full text of the poem and more about Merav here.
  • “Loss Prelude" by Arlene Ang, read by Ciro Faienza. You can read the full text of the poem and more about Arlene here.
  • “Stars" by Snigdha Chaya Saikia, read by Anaea Lay. You can read the full text of the poem and more about Snigdha here.



Ajapa Sharma is a student of history, occasional poet, culinary enthusiast, wild wolfish woman, singer in the shower and a trained stage manager.
Anaea Lay lives in Chicago, Illinois where she writes, cooks, plays board games, reads too much, and questions the benevolence of the universe. Her work has appeared in many places including Apex, Penumbra, Lightspeed, Daily Science Fiction, and Nightmare. She lives online at anaealay.com.
Arlene Ang's latest poetry collection, Banned for Life, was published by Misty Publications in 2014. Her poems have appeared in Caketrain, Diagram, Poetry Ireland, Poet Lore, Rattle, Salt Hill as well as Best of the Web 2008 and 2009 (Dzanc Books). She lives in Spinea, Italy.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Merav Hoffman is a singer, songwriter, poet and fiber arts artist. Her poetry has previously appeared in inkscrawl. She is a founding member of the bands Lady Mondegreen, The Funny Things, and Goldberry. She lives near NYC with her family and is addicted to music documentaries.
Snigdha Chaya Saikia is an English major at Handique Girls' College, Guwahati, Assam, India. When she's not crying over late assignments, she writes speculative fictions (and forces her friends to read them). On select Sundays, she's a crime-fighting octopus. You can find her on Tumblr at canvasconstellations.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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