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Direct link: In Joy, Knowing the Abyss Behind (mp3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents Sarah Pinsker's "In Joy, Knowing the Abyss Behind." You can read the full text of the story, and more about Sarah, here.

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Anaea Lay lives in Chicago, Illinois where she writes, cooks, plays board games, reads too much, and questions the benevolence of the universe. Her work has appeared in many places including Apex, Penumbra, Lightspeed, Daily Science Fiction, and Nightmare. She lives online at anaealay.com.
Sarah Pinsker's fiction has appeared in Asimov'sF&SFLightspeedUncanny, and numerous other magazines and anthologies. She won the Sturgeon Award for her first Strange Horizons story and the Nebula for her novelette "Our Lady of the Open Road." She lives with her wife in Baltimore, Maryland. Find her online at sarahpinsker.com and on twitter @sarahpinsker.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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