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Direct link: January poetry (MP3)

In this episode of the Strange Horizons podcast, editor Ciro Faienza presents poetry from the January issues.

  • “The Rambutan Man" by Naru Dames Sundar, read by Ciro Faienza. You can read the full text of the poem and more about Naru Dames here.
  • “Departures" by Sara Polsky, read by Romie Stott. You can read the full text of the poem and more about Sara here.
  • “Apotropaic Magic" by Margaret Wack, read by Romie Stott. You can read the full text of the poem and more about Margaret here.
  • “Uprooted" by Kit Hamada, read by Ciro Faienza. You can read the full text of the poem and more about Kit here.



Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Kit Hamada graduated from Wellesley College with a double major in Computer Science and English, and now writes code for a living. Her poetry and fiction have previously appeared in Liminality and 101 Fiction. She resides in Madison, WI with an assortment of hockey players and four-legged beasts.
Margaret Wack is a writer, poet, and classicist whose work has been published in Strange Horizons, Liminality, Twisted Moon, and others.  More can be found at margaretwack.com.
Naru Sundar (@naru_sundar) writes speculative fiction of all kinds. He has previously been a DJ, a composer, and a potter. When he isn’t devouring books or writing, he enjoys music and art and deep moments in the redwoods of northern California.
Romie Stott is the administrative editor and a poetry editor of Strange Horizons. Her poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, but she is better known for her essays in The Toast and Atlas Obscura, and a microfiction project called postorbital. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. You can find her fairly complete bibliography here.
Sara Polsky is the author of the YA novel This Is How I Find Her. Her book reviews and poetry have appeared previously in Strange Horizons.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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