Leah Bobet's most recent novel, An Inheritance of Ashes, won the Sunburst, Copper Cylinder, and Prix Aurora Awards, and her short fiction has appeared in multiple Year's Best anthologies. She lives and works in Toronto, where she picks urban apple trees, builds civic engagement spaces, and makes large amounts of jam. Visit her at www.leahbobet.com.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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