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In this episode of the Strange Horizons podcast, editor Ciro Faienza presents poetry from the October issues of Strange Horizons.



Cassandra Rose Clarke grew up in south Texas and currently lives in a suburb of Houston, where she writes and teaches composition at a pair of local colleges. She holds an M.A. in creative writing from The University of Texas at Austin, and in 2010 she attended the Clarion West Writer’s Workshop in Seattle. Her work has been nominated for the Philip K. Dick Award, the Romantic Times Reviewer's Choice Award, and YALSA's Best Fiction for Young Adults. Her latest novel is Star's End, forthcoming from Saga Press. Visit her online at www.cassandraroseclarke.com
Kathryn Allan is an academic editor, independent scholar, and writer. She is co-editor (with Djibril al-Ayad) of Accessing the Future (a disability-themed SF anthology), editor of Disability in Science Fiction, and the inaugural recipient of the Le Guin Feminist Science Fiction Fellowship.
Kenton K. Yee’s recent poems appear (or will soon) in Plume Poetry, The Threepenny Review, TAB Journal, Sugar House Review, Analog Science Fiction & Fact, museum of americana, Terrain.org, Constellations, Moon City Review, and Rattle, among others. Kenton writes from Silicon Valley, where he sleepworks in artificial intelligence.
Melissa Moorer was struck by lightning when she was eight. Her work has been published in Electric Lit, Fireside Fiction, The Offing , LCRW, The Butter/The Toast, FLAPPERHOUSE, and other luminous journals. She was Assistant-Editor at The Butter/The Toast where she wrote "This Writer's On Fire" for Roxane Gay. You can find Melissa Moorer on Twitter as @knownforms.
Current Issue
25 Mar 2024

Looking back, I see that my initial hope for this episode was that the mud would have a heartbeat and a heart that has teeth and crippling anxiety. Some of that hope has become a reality, but at what cost?
to work under the / moon is to build a formidable tomorrow
Significantly, neither the humans nor the tigers are shown to possess an original or authoritative version of the narrative, and it is only in such collaborative and dialogic encounters that human-animal relations and entanglements can be dis-entangled.
By: Sammy Lê
Art by: Kim Hu
the train ascends a bridge over endless rows of houses made of beams from decommissioned factories, stripped hulls, salvaged engines—
Issue 18 Mar 2024
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