Size / / /

The sheets are filled with dog hair, but the dogs

are missing. All the doors are open. The earth

is rejecting the rain. Water tests our worth

through slow disintegration. All the cogs

of our lives have broken teeth. Nothing holds

its place no matter how hard you nail it down.

Water lips the steps. The sun scolds

us with its absence. Out the window, the town

stretches like a corpse no one will claim, and yet,

though the rising water smells of sulfur, and the phones

are severed ears, you wilt under the net

of my hands as if these troubles are our loans

on life come back to give evidence. Who cares what they say?

Even we don't know what we've done. How could they?




Andrew Kozma’s poems appear in Rogue Agent, Redactions, and Contemporary Verse 2, while his fiction appears in The Dread Machine, ergot, and Analog. His first book of poems, City of Regret, won the Zone 3 First Book Award, and his second book, Orphanotrophia, was published in 2021 by Cobalt Press.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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