Size / / /

Sometimes I wish I had detachable body parts.

My mouth I would leave locked in a box, wedged

between two bricks. Then, when my grandmother

asked what to give her cousin, a nun, I could not have said,

"Early edition of the bible. Signed by Jesus." My ears I'd tag,

then send on their own way. Perhaps ironed and slipped

between pages of library books. What has your own mouth

betrayed in the presence of Hemingway or October's

Popular Mechanic? My eyes I'll leave with my grandmother

as she is old and likely to stumble when no one is looking.

She can have my hands too. To open jars, diet coke cans,

and to smack her demon-spawn cat into next Tuesday.

"Love nips" my ass (Donated to charity, there's more

than enough to go around. Twice.). Toes to my cousin Bubba,

who has none on his left foot. May he grow accustomed

to cherry red nail polish. Other parts I'll pitch, or burn,

as lately I have read many stories of nefarious teeth.

And my nose I'll keep, for purely selfish reasons.




HelenaBell Helena Bell is a writer and tax accountant living in Chattanooga, TN. Her fiction has appeared in Lightspeed, Clarkesworld, and The Indiana Review. Instead of cats she collects graduate degrees and currently has MFAs in Fiction and Poetry as well as a JD, LLM, and MAC. You can find her at helbell.com.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Wednesday: And Lately, The Sun edited by Calyx Create Group 
Friday: August Kitko and the Mechas from Space by Alex White 
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