Size / / /

The loud murmuring of the city fell away in a vast silence . . . and the stars shone over broken walls.

—Clark Ashton Smith

We all knew the snow

could not last

but the flakes kept swirling down

and Jenny was so cold.

The winds of winter had already killed

the small garden, made mirrors

of the pond and birdbath,

and one small girl froze

outside, she read.

Stacey turned the page.

The snow is deeper now and we cannot

get out. Jack pleaded with her to stop,

he was that cold, but she said

just a little more.

The drifts covered the streetlamps, the oak

trees, the peaked and gabled roof,

but Stacey kept on reading. She moved

closer to the desk as the

streetlight dimmed.

A window pane cracked

and white powder melted on

the horsehair seat. In desperation,

Jack picked up the snow dome and gave it

a couple of really good shakes.

The street swirled white;

the house pinged; lights shattered,

and the snow flowed unchecked

across the window seat, down

the stair, and into every room.

By the time Marian and Kim

left the theater

Stacey had finished the book.




David C. Kopaska-Merkel won the 2006 Rhysling Award for a collaboration with Kendall Evans, edits Dreams & Nightmares magazine, and has edited Star*Line and several Rhysling anthologies. His poems have appeared in Asimov’s, Strange Horizons, and elsewhere. A collection, Some Disassembly Required, winner of the 2023 Elgin Award, is available from him at jopnquog@gmail.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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