Size / / /

To become a goose
had seemed important, earlier,
when he made the change.
A gray goose for some reason, fat,
with the ability to lift above
the archers' arrows,
fly past the leafless autumn trees,
and cross the bowl of the mountain valley,
beyond those far peaks.
There was a mission—
to get something,
or to return with someone—
some reason to be a goose
other than just gooseness,
other than filling your wings with sky—

Hands drop the wand;
feathers cannot pick it up.
We forget when we change
we become something else.
Things mean differently.
He circled the great alpine woods,
forgetting. There, below,
knotted in the trees,
were the plottings of men,
creatures like little gods,
with their endless violence upon things.
They make such noise. They wail and bleed.
It is no place for a goose.
It is no place for one who can find
north and south within his body
and know which one to choose.




John Philip Johnson has work in Rattle, Asimov’s, F&SF, Apex, Mythic Delirium, The Pedestal, Phantom Drift, Ted Kooser’s newspaper column, “American Life in Poetry,” and the Poetry Foundation, with Pushcart, Best-of-Web, and Rhysling noms. He would love to live on Mars. His comics are from his new comic book, The Book of Fly, which is graphic poetry in Twilight Zone-like episodes. Available at www.johnphilipjohnson.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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Issue 12 Feb 2024
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