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I threw a chair at my dad and he died (a tubular
ladder back, joined like our intertidal Jesus, so
no nails, algal-stained, ascendable and bloody,
a rude instrument, whiny with that all-thanatic
force of theophany, and flotsam-pride fangled)
because the ring-ship’s artificial gravity is off-
kilter. But the palm-woven seat warped in dome
3 yard 1’s humid heat, and my dad confusingly
resurrected as an ectoplasmic anemone surging
from the weird fronds. Tripped by the fence of
a carambola tree, I crashed through the domino
table, and crawling out its dotty splinters, faced
dad’s new shape crying in the chair: “Thanks I
get for fleeing your creditors!” O the guilt rays
peel this skull free of wrapping paper skin and
knock the noisy rattler, my turkey vulture head,
round and round. Brindis for the funder-galaxy,
raise the receipts: all for education and for none.



Michael Díaz Feito is a Cuban-American writer from Miami, Florida. His recent work has appeared or is forthcoming in Big Echo: Critical SFDanse Macabre du Jour, and FIVE:2:ONE. You can find more of Michael's writing at michaeldiazfeito.com and follow him on Twitter @diazmikediaz.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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