Size / / /

I woke for a woman all tooth and whispered want. Like the oven she was

warm when met and cold when done. She was second cousin to God. She

kneaded me, and her fingers spanned the sun.

But then she chopped and cut. Nonplussed, I ran

away from the kitchen smell of cinnamon and cayenne, away from the

bedroom smell of thrust and come. Road iced with foxglove, with horse,

pig, cook, and cook's man. Never mind pursuit. I've no need for breath.

I'm faster than. Run, run, run, as fast as you can.

The river glints, a knife in the land.

The fox waiting there is wild laughter: is to ashes as petals are to

dust. Fur to blossom to this pure, this perfect, lust. Pursuit

clamors. Wind chews the water. Her eyes are the sun as she speaks of

trust. I leap onto her back, telling myself, perhaps to truly love

you have to risk being undone.




Joanne Merriam is the publisher at Upper Rubber Boot Books. She is a new American living in Nashville, having immigrated from Nova Scotia. She most recently edited Broad Knowledge: 35 Women Up To No Good, and her own poetry has appeared in dozens of places including Asimov's, The Fiddlehead, Grain, and previously in Strange Horizons.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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