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Cradle the seed in your hands.
Cup the spark. Oh old gods please
do not let this brightness gutter.
Let me constellate filled with
brilliance insangelous let me be
stars let me be the last fading heat
of sinking sunset gilt and honeyed.
Let me luminate let me soften
and melt like glowing wax
let me linger in warm embrace
of soft-lipped women let me live
diaphanous. Let the wind fill me
let me rise inexorable let me burn
without burning out eternity
ephemeral. Let me blossom
and billow like feathered cotton
over fields of sunflower yellow
jewelled birds in calypsonian half-heard
melody. Let me sink saltwater
gentleness inevitable in stygian tides
let me form shadows in fog let me
tinge melancholy in the curl
of your mouth. Let me flourish
seed of pomegranate gleaming seed
blush of rosy dawn tranquillity
hush of echo resonating primordial
thief of fire. Let me grow into myself.
Let me deepen. Let my soul brew sweet
fermentation beneath dappled almond
and cherry and laurel and brambling
tangled aconite and stinging nettle.
Oh old gods if ever you had hearts
let my heart beat and continue beating
let me ripen before I wither please—
Let me live before I die.



Robin M. Eames is a disabled & dying queercrip writer/artist/activist living in Sydney, Australia. Their work appears or is upcoming in GlitterShip, Luna Station Quarterly, Glitterwolf, ARNA, Hermes, and the anthology Broken Worlds.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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Issue 12 Feb 2024
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