Size / / /

It was supposed to be a time machine.

When I turned it on, it snowed

unlikely flakes

as big across as teacups.

Delicate, huge, six-pointed—yellow.

It was like walking through frozen sunshine.

All afternoon, drifts of sunset pinks, orange, gold;

red and purple near dusk,

a million blues.

I stood outside in the dark

pointing a torch upward.

Vast black crystals fluttered down at me.

At sunrise I turned the machine off:

it rained.

Great green drops that bounced twice

after they hit the ground

and made a noise like laughing.

So I put the machine back on

and the drops unpuddled and leapt back into the sky,

pelting upwards with a liquorice-scent and laughter.

I broke my machine apart

and cried when it snowed again.

Snowflakes with seven points, or three, ten, fifteen.

Flakes the size of peas, or barrels, or grain silos:

one blotted out the light and crushed my outhouse.

The snow itches on my skin, and swears,

and flashes like Christmas lights.

I think I broke the world.




Rio Le Moignan is from Guernsey but currently lives in England, and gets upset when people assume she's English (with a surname like that?). This is her first published work, and she is very surprised that her breakthrough was poetry rather than a short story. You can see more of her work on her website.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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