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In a deciduous maze,
little Lego wakes up
after a millennium
of cowardice.

His timid, minifigure self, constructed to be a toy,
annealed mixture of
bias and xenophobia,
escaped to the dreamland
in a storm, an evolution swept his nation
Malus Domestica.

Wild plastic blossoms
have flourished. Promiscuous
pomes have divided and conquered
every interlocking spaces. Strayed
in a retrograde amnesia, his memory
is coming back as bits and pieces.

"The Genesis is over,
You have no more chances."
With an apple falling on his head
he hears Iðunn's giggle
and turns wide awake

and runs through the barricade
of pedicels and vines, swings his
short arms and forky hands. His spiritus,
combusting, nervous,
antsy respiration kindles
the white LEDs under his feet, when he comes close
to his old home, an antique city built inside
Citrus Sinensis.
At the end of the road
a wide world opens in front of him:

light, pollens, hexagons
anti-gravitating in the air.
Miss Halictida,
are dancing with satin skirts
in the halo of carpenter bees.
"A rule of creative destruction,
he can never learn to embrace."

Sitting by his honey kylix
Osmia Lignaria, The Wise Bee of Alveus,
greatest skald of the Eusocial, sarcastically
depicts in his fiction, 1734,
during the industrial revolution,

and the Pollinator Protest.
"With the conservative belief
he is back to hibernation, in despondence
for another thousand years."




Liu Chengyu came from China nine years ago and is currently living in San Diego. He loves poetry and doing research on proteins. You are welcome to read his previous works in Strange Horizons, Aphelion, Grievous Angel, Silver Blade, and Abyss & Apex.
Current Issue
25 Mar 2024

Looking back, I see that my initial hope for this episode was that the mud would have a heartbeat and a heart that has teeth and crippling anxiety. Some of that hope has become a reality, but at what cost?
to work under the / moon is to build a formidable tomorrow
Significantly, neither the humans nor the tigers are shown to possess an original or authoritative version of the narrative, and it is only in such collaborative and dialogic encounters that human-animal relations and entanglements can be dis-entangled.
By: Sammy Lê
Art by: Kim Hu
the train ascends a bridge over endless rows of houses made of beams from decommissioned factories, stripped hulls, salvaged engines—
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