Size / / /

I will believe till eternity, or possibly beyond it,

that Lizzie Borden did it with her little hatchet,

and whoever says she didn't commits the sin

of sins, the violation of an idol.

     —Dorothy Parker

As murder chimed with the clockworks

you confessed to thumbing fashions

in Victorian magazines, scribbling

a wish list, cotton dresses to mirror

the verdant sheen of pears.

Mysterious fruits devoured

in your father's barn, clear

juice puddling on your chin

like the stains of lovemaking,

marking the dank place of broken

birds, a spine and feather memory

of Father clipping first their heads,

then your wings. Crimson oils greased

your thighs, his palms, your graduation ring,

a tarnished hope Father refused to break,

circle eternally squeezing his little finger

like your mute mouth sucking

on a bony thing, like your hatchet

cutting a friction burn as you excavated

the skeleton silent beneath

your Father's bones, forcing a response

in the house without words.




Suzanne Burns has two collections of poems (The Flesh Procession and Blight) and is currently working on a collection of short stories that revolves around circus freaks, oddities, and falling in love with someone who eats dirt. You can send Suzanne mail at suzanneburns@bendcable.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
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Art by: Kim Hu
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Issue 19 Feb 2024
Issue 12 Feb 2024
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