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Flowers don’t lie, he tells me one morning
weaving his words carefully around the kernel.
My question ‘why flowers of all things’
doesn’t make a headway through the shell.
His hands were always mud, birthing buds
from all plants that flowered.
His doctrines germinated from little saplings
in big to medium to small earthen pots.
The blooms took all the gravity of his conclusions.
In the backdrop of his enlightenment
the plants, the rooted disciples were too discoursed
to shake a leaf to his sermons
and touching the gaze of a longing breeze, too much to ask.

I remember one face from my childhood,

he said, trimming off a bold shoot

a peeve among the crusties
an un-bastardized element among the alloys
took to flower love all of a sudden.
If he had looked into the mirror now and then
he would know there was sunshine beyond the baldachin
he would know the onset of his drift.

I touch the flower faces and wonder
how much of a lesson there is
to learn outside a flower life
how much of sunlight must have cheated him
and caressed the cheeks of his virgin blooms.
I follow him, studying the niches of bare feet on wet earth
some mornings are about understanding the totems.



Daya Bhat is from Bangalore, India. Other than a book of poems, she has new poetry and short fiction appearing in literary publications, some of which are Kitaab, Coldnoon, Indiana Voice Journal, Earthen Lamp, The Bangalore Review, Off the coast, and New Asian Writing.

Blog
https://dayabhaskar.wordpress.com/

About her book
http://www.writersworkshopindia.com/books/poetry/redbird/a-maiden-of-29/
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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