Size / / /

I chose solitude for a career,

away from people

and the curse of interaction,

the first footprint on strange worlds,

and sometimes the last.

Pemeisia for example,

at the far end of how much isolation

even I could celebrate.

So black,

 

   so bleak,

it could have been the corporate symbol of my heart.

Despite the ice that melted a little of itself

out of sheer boredom,

the planet could not make a decent year

out of its desolation.

Time was like kids exploring an abandoned house.

Nothing to play with so it left.

Its sun was too far away to be an issue,

a speck, like kindling

for its own distant fire.

The planet turned but like a baby

in the crook of the dark's arms.

It could not rise to adulthood either.

Life, in fact, was out of the question.

Wind moved the surface around

like an endless game of musical chairs.

but nothing in the air

ever went to ground.

Water was caged, minerals suffocated.

Gases bumped against each other,

formed nothing new.

What did my report say:

one word . . . uninhabitable.

I was in a place no one could live.

And, for a month, he did.




John Grey can be reached by email at jgrey10233@aol.com. You can find more of John's work in our archives.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
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Issue 25 Mar 2024
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Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
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Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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