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There's no way into the quarantine zone
on foot, so from my wall-screened apartment
I pilot a makeshift drone to you.
A grainy screen links up with its
end-heavy camera while I steer
with an Atari controller
an uncertain hovercraft, black market bought.
Its whirring racket surely wakes your neighbors
as it hangs like an unsettled chandelier
beyond your open window.

A metal claw extends
my own addition. Hours
spent in a shelled-out workshop,
more a surgeon than an engineer,
a vital organ transplant;
exchanging air-to-surface missiles
and precision laser guidance for steel fingers,
sure and strong and harmless.
(Satellite bombardments and tactical plagues
nobody needs flying robots anymore,
not to kill.) The claw presents a twine-wrapped
package with oat bread and honey and a jug of fresh
water and pain pills in an unmarked bottle
so they will not be stolen and
rose-colored stationary with a letter
from me.

I cannot fit the machine through your window
and the grayscale video displays only pale fingers
grasping these gifts. The drone autopilots home,
while I zoom and optimize and refresh
this captured image. I need to know
the hand is yours and not some dying stranger
who takes the food
and leaves my letter
unopened.




Peter Medeiros teaches composition at Emerson College, practices Kung
Fu in Davis Square, and writes fiction and poetry over copious amounts
of coffee at Diesel Café in Somerville, Massachusetts. His work was
recently featured in Bastion Magazine, Outposts of Beyond, and Spark
IV: A Creative Anthology.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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