Size / / /

She loves the salt wind. Her familiar. All else

is foreign. Even Eagle here is not her own,

the tilt of his wing hauntingly strange. All angled

rock and soft old hills, gentled unwild green.

Old. Everything here is so much older than old.

She's a cranky tourist here. Exposed

with no forest to back herself into.

There's weather here and plenty of it

changing by the moment. There's

the comfort of rain. And Oo hoo ooo

the lovely wind races over the moors

untangled by trees. At the stones

of Callanish it taps each shoulder

to make the constellations spin.

You'd think they were trees.

See it grab the moss on the Truiseil

Stone teasing it in the way she knows.

But lone children here are hard to

find and her basket is empty. Not

that it's often full at home. Nothing to do

but to sit and chat with the Old Woman

of the Moors. Exchange tales around

a peat fire, burning sweet but not cedar.

And what she really loves is that

Old Woman is made of hills.

It makes her feel small and lovely.

But this land needs more dressing.

Needs moss and trees. Needs Raven

to steal them some sun. Needs a bore

of eagles. Salal. What ho for the

transported tropical beach, what ho

for sheep and waves. Time to stretch

her hands to the fire and ride the

ranging winds home. How cedar

has missed me. Alder. Hemlock. My fir.




Neile Graham's life is full of writing and writers. She is a graduate of Clarion West Writers Workshop and currently serves as their workshop director. Her poetry collections are Seven Robins, Spells for Clear Vision, and Blood Memory, and a spoken word CD, She Says: Poems Selected and New.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
Load More
%d bloggers like this: