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On Tarsus the rains come

once every seventy years;

great monsoons wash the surface clean

and all must be rebuilt.

The Tarsians drown their history

once every seventy years

and start Civilization anew—

all pilgrims, yet again.

On Faline the rains never cease

and homes, stores, churches are built

on great floating barges

that move across the waters.

The Falinites shout their history

from barge to barge, creating cities of listeners

that grow and break apart

according to the strengths of tide and tongue.

On Redline the rains are no more than heavy mists

clouding the surface with thick white fog.

All is hazed, shadow-faces and liquid bodies,

and light prisms into gray rainbows.

The Redliners write their history

with bright neon threads sewn into their clothing

and they walk the streets faceless in the ground-clouds,

living billboards of their own past.

On Eden 3, the rains come

when they are programmed to fall.

We live where we have always lived,

as did our parents and their parents before them.

We write our histories

in endless volumes of erudite criticism

and walk our perfect streets

dreaming of storms . . .




Mikal Trimm's short stories and poems have appeared in numerous venues over the last few years. Recent or forthcoming works may be found in Helix, Postscripts, Weird Tales, Black Gate, and Interfictions, as well as in our archives. You can learn more about Mikal from his website, or email him at mtrimm@gmail.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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