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Sobek, the crocodile-headed God of the Nile,
does not take that form here.
Here he’s a ‘gator, a thicker snout
and less aggressive than his toothy cousin.

Our Sobek is mellow, jazz-drunk,
clawed toes slow-stirring thick, murky bayous.

We never held Second Line for the Quarter,
just packed what wasn’t moldy or soggy and left.

We fled north, but still the water,
mud-brown, brackish and slick with silt creeps up and up
from our drowned cities in the south,
where skyscraper foundations rot in floating meadows of
Giant Salvinia, water hyacinth and hydrilla.

Sobek, God of the Flood, followed
taking his rest on Cypress limbs
tangled with Spanish Moss.

Reluctant to leave the land named Home,
we stopped just short of the state line,
a place we never thought to visit and once snickered,
“They might as well be Texans.”

Welcomed into a city already bloated with evacuees,
the people were hospitable, friendly,
but we are the guests who overstayed
and this time the water will not recede.

When our hosts realized we could not go back,
their smiles stiffened and shrank.
Homes and shelters closed as stores ran low.

But in arms and ammunition,
we all are awash in bounty.

Sobek, circles the perimeter of our lives,
his only prey the land.
He floats into the shallows that run for miles now,
squelches onto the bank in the hot, sullen darkness
and waits.



Loretta Casteen is a writer and artist in Shreveport, LA. Her publishing credits include Woman’s World, Pregnancy Magazine, Angels On Earth, Twisted Boulevard, and Strange Horizons, among others. Her collection of short stories and poems, Children of Elder Time, is available for Kindle download.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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