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The first time that morning, your face stole
from rasps lanterned: chariot of sun

racing gold in the glare of rays, shaking
patterns meant for your wing-tipped hull. Here,

the slept lion in my peer through forest's wrench
when woken. Your men slick with spear grease

and battle have mangled my wounds; bouquet to bruise.
So much for a lover’s touch in dropped shards

of rain, so much for laughter at a lorikeet’s prattle
when tender struck vulpine on skin. For you, the hiss

of curves. I stood there under your shadow. Proud
with breaths clinched of mist. For you, the whiting swan

of heart, ever pure. Never tell I must inveigle if I am to procure
only woes, only brutes of my own; for the seraph
that I was before rabid; trapped with fangs feisty.
Once I loved past fathoms, past feral.

Once and for all, you had me damned darkling, childless—
bedtimed like the forever stiffness of a corpse.

Rushda Rafeek serves as a Fiction Editor for The Missing Slate magazine.  Her works have appeared / are forthcoming in Yellow Chair Review, Visual Verse, Through the Gate, and Noble/Gas Quarterly, among others.  She is currently based in Sri Lanka.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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