Size / / /

She ate. Tongues like devils, you see, languages, las palabras.
Golem mouth really, hers, will dip tongue in ink, tintenschwarz like currants black.
Hungry, she, always, but doesn't eat for life, for her, the words are l'amour.
I think it is her mother's fault, mothers, always first point of blame;
her mother never did give the girl a tongue, not the kind
that you are given with hugs and kisses anyways, no bayushki bayu
for the girl. She eats like a devil, now anyways.
Can you imagine what will happen when she speaks?




Alexandra Seidel spent many a night stargazing when she was a child. These days, she writes stories and poems, something the stargazing probably helped with. Alexa’s writing has appeared in Strange Horizons, Uncanny Magazine, Fireside Magazine, and elsewhere. You can follow her on Twitter @Alexa_Seidel, like her Facebook page, and find out what she’s up to at alexandraseidel.com.
Current Issue
25 Mar 2024

Looking back, I see that my initial hope for this episode was that the mud would have a heartbeat and a heart that has teeth and crippling anxiety. Some of that hope has become a reality, but at what cost?
to work under the / moon is to build a formidable tomorrow
Significantly, neither the humans nor the tigers are shown to possess an original or authoritative version of the narrative, and it is only in such collaborative and dialogic encounters that human-animal relations and entanglements can be dis-entangled.
By: Sammy Lê
Art by: Kim Hu
the train ascends a bridge over endless rows of houses made of beams from decommissioned factories, stripped hulls, salvaged engines—
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