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In the business of things that don’t earn you much
I am a dandelion and you are a symphony
We both live long interrupted lives of flight and bumblebee cacophony
The similarities are striking
And so is the Lightning

In the business of things that don’t earn you much
A smile is up for sale on the snail market
Things are slow and progressive
But we live day to day
One breath at a time
Holding onto the dirt and calling it home
We are nomads
No match for our treacherous selves that betray us out of place
We are extroverts
Open minded and confident when discussing our introversion

In the business of things that don’t earn you much
We are jackpots and potholders
Boiled streaks of golden seeds too good for investment and too wide for parliament seats
The only representation our tongues receive is that which falls on our cheeks

In this business we are not efficient
We are not affluent
You have nothing to spare
And much left to the uncertainty
Of hope

Ziad Gadou is a twenty-three-year-old Egyptian spoken word poet. He uses his poetry to discuss mental and social issues that tackle his life as a nomad who moves between different Arab countries. He draws inspiration from the poets he watches online and in the open mic events he frequents in Dubai, Muscat, and Cairo. His influence is deeply rooted in both Western and Eastern music and literature.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Wednesday: The Best American Science Fiction and Fantasy 2022 edited by Rebecca Roanhorse 
Friday: The Final Strife by Saara El-Arifi 
Issue 21 Nov 2022
Issue 14 Nov 2022
Issue 7 Nov 2022
Issue 31 Oct 2022
Issue 17 Oct 2022
Issue 10 Oct 2022
Issue 3 Oct 2022
Issue 26 Sep 2022
Issue 21 Sep 2022
Issue 12 Sep 2022
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