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When you awoke from surgery,
you’d forgotten your first name.
I kept my hands on guard,
protecting the white paper—
stiff as old bones—from your eyes.
I kept my mouth sewn shut,
forsaking the memory of when we first met
and you were still someone else:

You, on stage, in a suit with a blood red tie
inspired by Poppy Z. Brite. You wanted to be a
psychic vampire, stealing the souls of
the men who had come before you.
Instead, you were a Drag King dream
I had that night, as the same blood
around your neck greeted me between my legs.

Eventually, we met. Cold street lamps
and the smell of tungsten by the science lab.
“They can synthesize hormones now,” you said, your
words an electrical fire. “I’m going on hormones.
I have not existed until this night.
Everything else was a performance.”
But the King, even under a dead name, was real.
Months passed as you swallowed a new
kind of ore and allowed your body
to transform. I watched as the blood red tie
became a blood red scar across your body.
I watched as your skin took on new life.

We reigned between the sheets. We existed,
together, as a tangle of chemicals,
for six months until the letter comes,
and all dreams are lowered down like a
drawbridge for a castle. Noon, Monday, on
St. George’s Day—the surgery is set.
Darkness takes you over. I am left on the
linoleum alone, a battlefield. I rise beyond
the smoke-filled alleyways, reeking of resin,
& become blades sharper than swords.

I am your knight, now. Not your lover.
I will guard you from the siege of surgeons
reminding you of your past lives as you come to.
I am your devotee, your patron, your loyal subject
revelling and honouring at the foot of your bed.
My love, my land, my King—I will take you away
from this landfill of disorders & wounds,
wrap a blood red tie around your neck,
& sing the song as the only thing you need to remember.



Eve Morton is a writer living in Ontario, Canada. She teaches university and college classes on media studies, academic writing, and genre literature, among other topics. She likes forensic science through the simplified lens of TV, and philosophy through the cinematic lens of Richard Linklater. Find more information on authormorton.wordpress.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
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Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
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