Size / / /

Time has stopped in the children's section;

it is 2:25 and 37 seconds.

One shy girl is getting on the Tinkerbell bus,

though her pinned-on tag shows a laminated Goofy.

Nap-time mats and jumbo crayons

are all safe in their cubby holes.

Time has stopped and the children have decided

to not get taller than the Peter Pan painted shelves,

or outgrow the miniature plastic chairs and rockers.

The girl with dark hair doesn't put down

her Choose Your Own Adventure book

to replace it with Cosmopolitan.

The blond boy in jeans doesn't lust

hopelessly over cars and women.

Encyclopedia Brown, the Hardy Boys, and Ranger Rick

remain his best friends.

Parents, growing older, unrecognizable,

beg for them to come out, to play football

for them, to win beauty contests,

so they can cheer and brag.

The parents say over and over: The clock's broken,

and hope they are right.

The children press hands tightly against ears

and hum real loud, like they learned to do

in really scary movies,

until the big people finally go away,

back to the adult section's dumpster window view.

In the children's section, they somehow know

that time doesn't give bribes for free.

Even though there will be no more Christmases,

no more birthdays, no more Saturday mornings,

only dog-eared pages will ever wrinkle.




Holly Elliott lives in Tallahassee and received her Doctorate in Creative Writing from Florida State University where she is currently teaching courses in poetry as well as American, Contemporary, and Women's Literature as a Visiting Instructor. You can contact her by email at hmelliott@earthlink.net.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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