Size / / /

Between my fourth and fifth ribs is a fistula, an opening,

Fabergé Easter egg window into my heart. Just a moment;

I'll unbutton my shirt . . . . Come closer, and you can peek

into a small sunlit garden surrounded by a clipped hedge,

an intimate landscape with mossy, indistinct ruins

sinking into the curves of undulating lawn. I can't see it,

myself; the mirror is never at quite the right angle.

But my friends and my cardiologist tell me all about it.

They say it is always sunny in there, although there are

clouds on the horizon. Occasionally someone will claim

to see mountains in the distance, and once a child said

he saw the turrets of a tiny city beyond the faraway hills.

No viewer has ever seen a single human or animal

in my heart, not even an insect, although I am told that

there are many flowers, whose faint, delectable perfume

is a rare emanation which I may only be imagining.

The shadows shift, but the phenomenon we call sun

is always behind the onlooker, and never sets. Sometimes

a longer, more angular shadow looms across the grass.

Whatever casts that dark movement remains invisible.




F.J. Bergmann frequents Wisconsin and fibitz.com and intends to go down in history as the inventor of Time Pockets. She is the author of Constellation of the Dragonfly, Aqua Regia (Parallel Press, 2007), and Sauce Robert (Pavement Saw Press, 2003). Her work has appeared in Asimov's, Mythic Delirium, Niteblade, Weird Tales, and literary journals that should have known better. She is the poetry editor of Mobius: The Journal of Social Change. You can see more of her work in our archives.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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By: Ana Hurtado
Art by: delila
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Issue 12 Feb 2024
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