Size / / /

the scars on the scars
straddling massive bruises
are side-by-side like
the bruises that are not bruises,
symmetrical and ever virginal,
vertical slices starting at my shoulder blades
coming to a stop just before my hips
breaking and healing and breaking again
because these wings,
these black, leathery things
are so hungry to stretch, so thirsty for air
it hurts when I let them out
but they have to be let out
because they hurt when they're kept in too long,
and then they come out on their own, like now,
unfurling, like roses blooming in time lapse
spraying my life on the walls
with that first wicked flap, the movement of wings
declaring, "We are free and we must soar."

the heights and the night couple with
the blood loss and the gravity shifts
birthing a delirious grin
that expands whenever
one of my girls
sees me first and screams.

 

Copyright © 2002 Michael Chant

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Michael Chant writes fiction, poetry, and reviews with work appearing in such publications as Twilight Showcase, Horrorfind, and Jersey Beat. He is currently employed in the scheduling department of TV Guide. His poem "In the Shade of the Tree of Knowledge" can be found in our Archive.



Bio to come.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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Issue 12 Feb 2024
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