Size / / /

Once beyond the twilight
there were three lionesses pacing

I can no longer bear the weight of days
every month a stone to make a mountain:
giant, sleepy giant, your broad back
robs my horizon, throttles my sky
like rope made of hair

my mouth tastes bitter, gray
like gnawed on dreams, broken between my teeth
I had a dream with lioness fur
and smiling face:
on four feet you crouch
to land on two
(and only when you stumble will you need the third)

I know the unmoved stone, the claw
that never drew blood
I live in a savannah where the pride
of dream lionesses
has become bones in a hunter's pouch
and their hearts echoes in the pouch;
the morning is a stranger in that savannah

Once beyond the twilight there were three lionesses pacing.
"I can no longer bear the weight of days," said the first,
and her paws beat the earth, skin of a drum.
"My mouth tastes bitter, gray, like gnawed on dreams, broken between
my teeth," said the second,
and her paws beat the earth, skin of a drum.
"I know the unmoved stone, the claw that never drew blood," said the third,
and her claws went deep into the earth; they broke the skin and sped the drum.
And when the hunter touched the earth,
the drum was still,
the drum was still.




Alexandra Seidel spent many a night stargazing when she was a child. These days, she writes stories and poems, something the stargazing probably helped with. Alexa’s writing has appeared in Strange Horizons, Uncanny Magazine, Fireside Magazine, and elsewhere. You can follow her on Twitter @Alexa_Seidel, like her Facebook page, and find out what she’s up to at alexandraseidel.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
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