Size / / /

Tankers off our coastlines spill blood

transported from across the world

already clotted black as it reaches us.

This time the victims are sea birds;

someone has voted their proxies,

perhaps at the committee considering

whether to put global warming on the agenda

for its last meeting ever.

I think of my high school chemistry teacher,

her smock brown from spilled tannic acid,

stopping in the middle of an experiment

to quote Francis Thompson to us:

"thou canst not stir a flower

without the troubling of a star."

The poem has stayed with me, the ink

of a permanent tattoo,

the meaning of a red rose

just before it's dipped in liquid nitrogen.

Absolute zero is stirring

in the President's head

while someone tolls a bell

in a drowned cathedral:

Death once

death twice

going, going. . . .

I try to listen for a green word

from the redwoods that haven't been

replaced by Redwood Village

but something crimson is in the wind.

Once more,

the planet's blood is on our hands,

and not enough clean water left to wash it off.




Duane Ackerson's poetry has appeared in Rolling Stone, Yankee, Prairie Schooner, The Magazine of Speculative Poetry, Cloudbank, alba, Starline, Dreams & Nightmares, and several hundred other places. He has won two Rhysling awards and a grant from the National Endowment for the Arts. He lives in Salem, Oregon. You can find more of his work in our archives.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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