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I never met the person
I wanted to be.

They say I’m here somewhere
that I should just go look and I’ll find him
but my head holds me back.

Instead, I sip lemonade
on the front porch. It tastes
like ash going down. One of my doubles
throws a red rubber ball around for the Grim.

In the first place, which we were
so quick to leave, I dreamed
Of metamorphosis. I shed
my thick caterpillar skin
and became something new.

Something that is white light,
the hottest star, a
lit candle saved
for when the power goes out.

The version of me I don't recognize,
that circus mirror copy,
throws the ball too far
over the head of the Grim
into the treeline. The Grim
barks, it sounds like fireworks.
Runs off and emerges later to drop
Spit-drenched ball at the feet of myself.

We both grimace darkly at the wetness.
This is the similarity between us.

Maybe our teeth
are covered in dust and fog.
Maybe the truth of ourselves
is not destined for an exact black,
or white, or colorful bright.

I consider the ramifications of this.
Take the new skin
this place has offered me and try it on.
To test what this feels like to live
stuck between this and that.

My twin throws the sloppy ball.

I sip my lemonade.



Cam Kelley is a poet, fiction writer, aspiring teacher, and undergraduate student from Southern Maryland. She likes to craft language that feels warm and reassuring. Her work can be found published in The Best Teen Writing of 2016 and Left of the Lake Magazine.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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