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Was it this thin before,
When I raced through to the end
In a single breath?

Did I guess motivation
Where none is given,
None implied?

Was the prose this flat
Or was I hardly rounded myself,
A child raised on early TV?

Did Dorothy breathe, or was the land
Of Oz as flat as Kansas, air as thin,
Its conversations always this gray?

Did I root for the witch,
The flying monkeys,
Or does that come later,

After puberty, and into old age
Where all lines are blurred?
Childhood’s assumptions

Have lost their golden shine,
Fog obscures corruptions,
And we all need a curtain

To hide behind.



Jane Yolen writes poetry for both children and adults. She is a past winner of the Science Fiction Poetry Association’s Rhysling award for a short poem, Dwarf Star Award for poems under ten lines, as well as being named by the Association as a Grand Master of science fiction and fantasy poetry. She is a frequent poetry contributor to such genre magazines as Asimov’s, Mythic Delirium, and Goblin Fruit. She has over 370 books published, a huge number of them poetry. Her books have won the Caldecott, the Christopher Medal, the Jewish Book Award, and two of her stories were Nebula winners. Three of her books won the Mythopoeic Award. Last year, she was named a winner of the New England Public Radio’s Arts and Humanities Award. And her Skylark Award set her good coat on fire.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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