Size / / /

Set aside your galvanized sorrow—
you have been using it to shield your heart
for far too long.

Yes, your tears will etch lines of rust around your eyes—
do not polish them away.
It is better to wear your sorrow on your face,
than to live behind this fragile zinc veneer.
It shields you from the worst of the storm—
but it tastes of new pennies and old regret,
and staying frozen in time is a high price to pay
for shelter made from poison and half-truths.

Yours was an alchemical reaction,
a spark so bright it burned
the world around you to ashes in the end,
and left you building a bomb shelter for your heart
out of paper-thin half-truth sheet metal
that tasted like old pennies and new regrets.

Come out into the storm,
let the rain and the truth
wash you into stillness
and etch lines of rust around your eyes.
But don't stand out in the storm too long,
because there is no guarantee
that someone will tumble
out of this particular tornado
to save you this time,
and entropy always wins.

Let your grief be bookended
as you once were by us—
stand in this liminal space
that we have come to call mud season,
and reflect on the endless cycles of life.
Earth turns back to unfrozen earth,
ashes to ashes,
steel to rust.




Kythryne Aisling is a jewelry artist, performance poet, musician, parent, weightlifter, and brain tumor survivor; her poetry has previously appeared in Stone Telling and Interfictions. Forgetting things is her superpower, and she is inordinately fond of glitter. Her jewelry can be found at wyrdingstudios.com and she tweets about anything that crosses her mind at @wyrdingstudios
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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