Size / / /

Not clean light, after all: not sweet atomic
absolution of our myriad sins
in one swift Lenten smear of ash, faint thumbprint
shadow on a shattered concrete sky.

The silence we were promised after sirens
above a blasted blameless graveyard world
is broken daily into shards of shrapnel
both trivial & lethal, ever-cresting
tide eroding eyes & ears & minds.

In place of Oppenheimer's Trinity,
the passionate intensity of vermin
beset by ancient plagues goes seeping out
along a web of unsuspected faults
until some tower tumbles, lightning-struck
past metaphor or merest understanding.

Surely whatever falconer we trusted
to gyre that final bird into a night
both mutual & assured is lost -- or missing
behind these lines redrawn to locate center
& formulate the new survivor's question:
not what rough beast, but which rough beast this time?

 

Copyright © 2001 Ann K. Schwader

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Ann K. Schwader lives and writes in Westminster, Colorado. Her poems have recently appeared in Weird Tales, Magazine of Speculative Poetry, Talebones, Speculon, Twilight Times, and elsewhere. Her Lovecraftian poetry collection, The Worms Remember, was published by Hive Press this spring. She is an active member of both SFWA and HWA. Her previous poem in Strange Horizons can be found in our Archive.



Ann K. Schwader lives, writes, and volunteers at her local branch library in Westminster, CO. Her most recent poetry collection is Twisted in Dream (Hippocampus Press 2011). Her dark SF poetry collection Wild Hunt of the Stars (Sam's Dot Publishing, 2010) was a Bram Stoker Award nominee. She is a member of SFWA, HWA, and SFPA. Her LiveJournal is Yaddith Times.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
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Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
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