Size / / /

I call the pebbles

broken by ice,

smoothed by water and time.

I call them

from the beds of dying streams,

from the unsuspecting gardens.

I call the gems

from the necks of fair ladies

and the crowns of kings.

I call them polished

and faceted.

I call the cursed and the blessed,

the rich things stolen from the earth.

I call the once-living,

the tiny carapaces

and bones of man-height.

Arise and stand forth, unblinking

in the sun of another day.

Remember the taste of living flesh.

I call boulders

spat out by glaciers,

cast down from the heights

to languish.

And I call the cooled lava,

the pulse forgotten

in the flow of stone.

Nor have I forgotten

the mountain ranges and great rifts

that break the land,

swallowing the veins of rivers

and giving rise to other streams.

All these I encompass

in my calling. All these I summon

to rise up and bring fire,

to dance creation on the fragile

and the unmindful.

These are the old gods,

shaking existence beneath my feet.




Shy and nocturnal, Jennifer Crow has never been photographed in the wild. It is rumored that she lives in the woods near Buffalo. Her work has appeared in a number of print and electronic venues, including several anthologies such as Ruins: Extraterrestrial, Desolate Places, Jabberwocky 3, and Sporty Spec. Her blog is located here, and she may be reached by e-mail at kythiaranos@yahoo.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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