Size / / /

It's no wonder he spends

so much time alone, his one

good eye at arm's length,

aimed at no one.

He's studied relativity.

Knows the absurdity

of companionship along

the cosmic timeline,

the largest of cities

dwarfed by a dwarf star.

From the moon, he says,

the Middle East is as

serene as the Antarctic.

There is no pollution.

To shout across space

is to hear nothing, not even

yourself.

          In my apartment

I leave the television on

at all times. I can't sleep

unless someone is talking,

unless all the quiet shadows

dance. The amateur

astronomer tells me that

the first radio waves

are seventy light-years away

by now, and have barely

reached the nearest stars.

That a billion miles from here

Cassini is studying the rings

of Saturn, squeezing secrets

from shards of ice. But what

are secrets? I say to him.

There's nothing new up there.

All things take up space

but words. Even mystery

is something invented

not too long ago.




Timothy Green lives in Los Angeles, where he works as editor of the poetry journal RATTLE. His poems have appeared recently in The Connecticut Review, Florida Review, Fugue, Mid-American Review, Nimrod, and other journals. His first book-length collection, American Fractal, received the 2006 Phi Kappa Phi Award from USC. You can learn more about Timothy from his website, or email him at timgreen@rattle.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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