Size / / /

White canvas. Layers of brief washes,

spare brushwork. Sun's rays

spotlight a girl, soft petal hands lying

in her lap, feet in a stream.

Enter the frame to join her.

Watch her lattice her fingers in her lap. Dream.

Some expressive beauty

(not like a well-turned beam

is beautiful, nor like you are beautiful,

but beautiful as the daze

of nature's chlorophyll dynamos)

hovers about the cliches

of her indistinctly rendered mouth,

cleft of thighs, pubic maze.

The artist gave her ampersands, ellipses,

subtle women's winning ways.

Sitting quietly's unbearable; you insist

on conversation. The gallery teems

with tourists in anoraks.

They leave aluminum wrappers at her feet.

Their eyes appraise,

smooth as half-drunk cream.

Her hands flutter over her body, playing

a guessing game with their gaze.




Joanne Merriam is the publisher at Upper Rubber Boot Books. She is a new American living in Nashville, having immigrated from Nova Scotia. She most recently edited Broad Knowledge: 35 Women Up To No Good, and her own poetry has appeared in dozens of places including Asimov's, The Fiddlehead, Grain, and previously in Strange Horizons.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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