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Once, you handed me half a heart,
a pretty keepsake, as if love
could be contained in glass,
displayed as truth,
a weapon, a warning,
a silver bullet against
every demon
you fashioned in the dark—
but you cornered the wrong monster.

You offered honey
but arrived with too much grief,
a gift of quicksand kisses,
a ruin of howling
keening
between every word,
the ghost of love
conjured as fruit, ripe
as belladonna,
too much and the sleep
is endless—
but a witch always knows.

You think this story is yours,
but it isn’t; you haven’t escaped
the labyrinth, this stone river
knows what you have done,
what you stole, what you broke,
what you burned to ash—
there is no mercy here,
only haunting,
a cadre of shame
brandishing knives—
and you abandoned
the wrong Fate.

Now, you wake
godless, soul-hollow,
your chest vacant
and clockless,
ribs perfectly arranged
around the emptiness,
this cathedral of lies,
this once-holy space,
ringing with a dark hymn
only the damned will ever hear—
look down,
you are standing in your own grave.



Ali Trotta is a poet, editor, dreamer, word-nerd, and unapologetic coffee addict. Her poetry has appeared in UncannyFireside Fiction, and Cicada magazines, as well as in The Best of Uncanny Magazine (Subterranean Press). She has a poem forthcoming in F&SF magazine. Ali’s always scribbling on napkins, looking for magic in the world, and bursting into song. Follow her on Twitter (@alwayscoffee) or visit her blog (alwayscoffee.wordpress.com). Three of her poems were Rhysling Award nominees.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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