Size / / /

I dream of women who have lost
their treasure and look at mannequins
through a brass cage. Madame Tellers who can't tell
them how to cope but turn their own, wax faces
(under the tilt of black brim with veil) toward a clock
and scale balancing nothing. Outside a few blocks down
sun wavers between leaves wilted by frost. And wind
cloaked in the wings of birds, keeps silent
knowing they will come, tend the flames.

I dream of women who vow
to keep their fire baskets full
as Winter settles in the park. Kindling gathered
from fallen leaves, feathers, scattered trash
and tresses plucked from brush or scalp.
They come under the stone roof of the underpass,
Valkyrie sorting through issues that cause
the movement to thrive or perish. The river sheds
its wild geese and cattail ash, migration
instinctive with the chill. But these women
pledge to stay and rise, rationing their strength
each day while time limits their length of light.
A cache of stars is kept on hand
to mix with the black pour of sky, the acid taste
of their early coffee.




Wendy Howe is an English teacher who lives in California with her partner. She's fascinated by ghosts, myths, and ancient landscapes. Her work has been published in a variety of journals, including Goblin Fruit, Mythic Delirium, Jabberwocky, and Scheherezade's Bequest, along with several anthologies, including The Midnight Garden and Forgetting Home: Poems About Alzheimer's.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
Load More
%d bloggers like this: