Size / / /

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The testosterone makes me look
half-beast. My heart hammers each time
I see the needle. Excitement and stress
are the same emotion, my therapist tells me.
It feels more and more like fear.
My head has become a bull: full of
violent thoughts that I don't
remember having before the injection.
The urges, the focused precision.
I am always threading the eye of a needle,
I am always on guard for Theseus.
The hormones have turned my body
into a hairy landscape of tunnels
& my mind becomes the labyrinth
to escape. I wait, I wait, I wait
for a surgery date that does not come.
If I’m rejected, without a scalpel,
I will have no way of sword-fighting.
How can I cut the Minotaur down
if I still have parts of me,
blocking the entranceway to the maze?

No answer comes.
Days pass. Months. Hormones
even out. My upper lip looks less
like a dusting of black snow
and more like a wall. You're normalizing.
Catching up to the rest of us, my therapist says.
The shadows make her look half-human.
What if the Minotaur never lived in
my body? What if the Minotaur was
a lie to keep people buying scalpels as swords,
to keep a line of invisible men fighting, holding
hopeful tricks in their hands?
What if my body could follow my mind
and untwist to form a place I
could live in, sold as is, instead?
What if, broken and
sharply violent like a rock to Goliath,
my body was a home instead?

I like the resolution.
Fuck Minos, & sword-swallowers,
starving children, and Theseus.
I follow the red thread of my veins
from the needle to the injection
to the line-up to the sidewalk
& I start my way home.



Eve Morton is a writer living in Ontario, Canada. She teaches university and college classes on media studies, academic writing, and genre literature, among other topics. She likes forensic science through the simplified lens of TV, and philosophy through the cinematic lens of Richard Linklater. Find more information on authormorton.wordpress.com.
Current Issue
22 Apr 2024

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Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
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