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The rambutan man’s ghost
Stands under the boa.
Stick knees and dhoti,
And his blistered fruit cape,
Hedgehog eggs dipped in blood,
Smoldering white hearts creeping out,
Still redolent of
      Char.

The tiger woman’s ghost
Stands across the street.
Strands of tape and
Curls of copper wire exude
From the hole in her belly
And below her hips,
      Nothing.

The soldier man’s ghost
Stands amidst scorched earth.
Nothing more than one leg,
An arm, and an ear,
Tied together by stubbornness.
Exhumed from politics,
And delineations of
      Skin.

The ghost of the bomb
Is nowhere to be found.
Only a memory amongst wraiths.
If it were there, it would say
      Nothing of the tiger woman
                 Hip-less, leg-less.
      Nothing of the soldier man
                 Heart-less, head-less.
      Nothing of the rambutan man,
                 Unmourned by camphor
                 And incense.
It would speak only of
      Burnt rambutan,
      And within,
                 Honey-sweet pearls,
                 Now ash.




Naru Sundar (@naru_sundar) writes speculative fiction of all kinds. He has previously been a DJ, a composer, and a potter. When he isn’t devouring books or writing, he enjoys music and art and deep moments in the redwoods of northern California.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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